Joan Miro: 1893-1983 (Basic Art) by Janis Mink fb2 pdf azw3 网盘 rtf 免费 下载 txt

　　Joan Miro (1893-1983) is one of the most significant Spanish

painters of the 20th century. His early work clearly shows the

influence of Fauvism and Cubism. The Catalan landscape also shapes

the themes and treatment of these initial works. In his travels,

Miro encountered the intellectual avant-garde of his time. His

friends included Francis Picabia, Tristan Tzara, Andr Masson, Jean

Arp and Pablo Picasso. From the mid-twenties onward, Miro strove to

leave direct objective references behind and developed the

pictograms that typify his style. The pictures of this period,

which include perhaps the most beautiful and significant ones of

his whole oeuvre, dispense with spatiality and an unambiguous

reference to objects. From now on, the surfaces are defined by

numerals, writing, abstract emblems, and playful figures and

creatures. Nineteen-forty-four saw the beginning of his extensive

graphic oeuvre, ceramics, monumental mural works, and sculptures.

In these works, too, the Catalan artist sought the solid foundation

of a figurative, symbolic art with orientation as regards content:

faces, stars, moons, rudimentary animal forms, letters. Joan Miro

developed in several stages his characteristic flowing calligraphic

style and his world of forms resembling shorthand symbols.

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This title in the Modern Masters series focuses on the work of Joan Miro, one of the painters most often associated with surrealism. Miro studied art in his native Barcelona before joining the Paris art scene in the 1920s. Fantasy, dreams, and myths played an important role in Miro's early works, many of which are included in the more than 70 full-color reproductions of paintings, sculptures, and tapestries in this collection. This is a fine introduction to the monumental works of one of the foremost artists of the 20th century.--This text refers to an out of print or unavailable edition of this title.

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书籍介绍

Joan Miro (1893-1983) is one of the most significant Spanish painters of the 20th century. His early work clearly shows the influence of Fauvism and Cubism. The Catalan landscape also shapes the themes and treatment of these initial works. In his travels, Miro encountered the intellectual avant-garde of his time. His friends included Francis Picabia, Tristan Tzara, Andr Masson, Jean Arp and Pablo Picasso. From the mid-twenties onward, Miro strove to leave direct objective references behind and developed the pictograms that typify his style. The pictures of this period, which include perhaps the most beautiful and significant ones of his whole oeuvre, dispense with spatiality and an unambiguous reference to objects. From now on, the surfaces are defined by numerals, writing, abstract emblems, and playful figures and creatures. Nineteen-forty-four saw the beginning of his extensive graphic oeuvre, ceramics, monumental mural works, and sculptures. In these works, too, the Catalan artist sought the solid foundation of a figurative, symbolic art with orientation as regards content: faces, stars, moons, rudimentary animal forms, letters. Joan Miro developed in several stages his characteristic flowing calligraphic style and his world of forms resembling shorthand symbols.