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　　From the emergence of plainsong to the end of the fourteenth

century, this Companion covers all the key aspects of medieval

music. Divided into three main sections, the book first of all

discusses repertory, styles and techniques – the key areas of

traditional music histories; next taking a topographical view of

the subject – from Italy, German-speaking lands, and the Iberian

Peninsula; and concludes with chapters on such issues as liturgy,

vernacular poetry and reception. Rather than presenting merely a

chronological view of the history of medieval music, the volume

instead focuses on technical and cultural aspects of the subject.

Over nineteen informative chapters, fifteen world-leading scholars

give a perspective on the music of the Middle Ages that will serve

as a point of orientation for the informed listener and reader, and

is a must-have guide for anyone with an interest in listening to

and understanding medieval music.

Chronology

Introduction Mark Everist

Part I. Repertory, Styles and Techniques: 1. Plainsong Susan

Boynton

2. Enriching the Gregorian heritage Michael McGrade

3. Early polyphony to c. 1200 Sarah Fuller

4. The thirteenth century Mark Everist

5. The fourteenth century Elizabeth Eva Leach

Part II. Topography: 6. England Peter Lefferts

7. Italy to 1300 Marco Gozzi

8. The trecento Marco Gozzi

9. The Iberian Peninsula Nicolas Bell

10. Music east of the Rhine Robert Curry

Part III. Themes, Topics and Trajectories: 11. Music and liturgy

Sam Barrett

12. Vernacular poetry and music Ardis Butterfield

13. Latin poetry and music Leofranc Holford-Strevens

14. Compositional trajectories Peter Lefferts

15. Secular institutions and ecclesiastical foundations Rebecca

Baltzer

16. Theory and notation Dolores Pesce

17. Music manuscripts Emma Dillon

18. The geography of medieval music Christopher Page

19. Reception Lawrence Earp

Bibliography.

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书籍介绍

From the emergence of plainsong to the end of the fourteenth century, this Companion covers all the key aspects of medieval music. Divided into three main sections, the book first of all discusses repertory, styles and techniques - the key areas of traditional music histories; next taking a topographical view of the subject - from Italy, German-speaking lands, and the Iberian Peninsula; and concludes with chapters on such issues as liturgy, vernacular poetry and reception. Rather than presenting merely a chronological view of the history of medieval music, the volume instead focuses on technical and cultural aspects of the subject. Over nineteen informative chapters, fifteen world-leading scholars give a perspective on the music of the Middle Ages that will serve as a point of orientation for the informed listener and reader, and is a must-have guide for anyone with an interest in listening to and understanding medieval music.